Zamora F.C. and Jean-Baptiste Carpeaux: Difference between pages
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[[Image:Jean-Baptiste Carpeaux's marble sculpture 'Ugolino and his Sons', Metropolitan Museum of Art.jpg|thumb|right|400px|Jean-Baptiste Carpeaux's marble sculpture 'Ugolino and his Sons', Metropolitan Museum of Art]] |
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{{Football club infobox | |
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[[Image:Jean-Baptiste_Carpeaux_La_Danse.jpg|thumb|right|400px|La Danse (The Dance), Opera Garnier in Paris]] |
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clubname = Zamora FC| |
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{{Commonscat}} |
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image = [[Image:Zamora.PNG|100px|Logo]] | |
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fullname = Zamora Fútbol Club| |
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nickname = | |
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founded = [[1977]]| |
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'''Jean-Baptiste Carpeaux''' ([[May 11]], [[1827]], [[Valenciennes]] –[[October 12]], [[1875]], [[Courbevoie]]) was a French sculptor and painter. His early studies were under [[François Rude]]. Carpeaux won the [[Prix de Rome]] in [[1854]], and moving to [[Rome]] to find inspiration, he there studied the works of [[Michelangelo Buonarroti|Michelangelo]], [[Donatello]] and [[Andrea del Verrocchio|Verrocchio]]. Staying in Rome from [[1854]] to [[1861]], he obtained a taste for movement and spontaneity, which he joined with the great principles of [[baroque art]]. In [[1861]] he made a bust of [[Mathilde Bonaparte|Princess Mathilde]], and this later brought him several commissions from [[Napoleon III]]. He worked at the pavilion of [[Flora (goddess)|Flora]], and the [[Opéra Garnier]]. His group La Danse (the Dance, [[1869]]), situated on the right side of the façade, was criticised as an offence to common decency. |
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ground = [[Estadio Agustín Tovar|Estadio La Carolina]]<br>[[Barinas]], [[Venezuela]]| |
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capacity = 30,000| |
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chairman = {{flagicon|Venezuela}} [[Pedro Miguel Carreño]]| |
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manager = {{flagicon|Venezuela}} [[Darío Martínez]]| |
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league = [[Primera División Venezolana]] | |
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season = Clausura 2007 | |
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position = 4th| |
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pattern_la1=_blackshoulders|pattern_b1=_blackstripes|pattern_ra1=_blackshoulders|leftarm1=FFFFFF|body1=FFFFFF|rightarm1=FFFFFF|shorts1=000000|socks1=000000| |
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}} |
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He never managed to finish his last work, the famous Fountain of the Four Parts of the Earth, on the Place Camille Jullian. He did finish the terrestrial globe, supported by the four figures of [[Asia]], [[Europe]], [[North America|America]] and [[Africa]], and it was [[Emmanuel Frémiet]] who completed the work by adding the eight leaping horses, the tortoises and the dolphins of the basin. |
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'''Zamora Fútbol Club''' is a [[Venezuela]]n [[football (soccer)]] club. |
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== Sculptures by Carpeaux == |
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==History== |
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* Ugolin et ses fils - [[Ugolino della Gherardesca|Ugolino]] and his Sons (1861, in the permanent collection of the [[Metropolitan Museum of Art]])[[http://www.insecula.com/oeuvre/photo_ME0000009025.html]] with versions in other museums including the [[Musée d'Orsay]] |
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Zamora Fútbol Club was founded in [[February 2]], [[1977]]. Was promoted to the First Division after finish runner-up in the Second Division 2005/2006. |
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* The Dance (commissioned for the [[Palais Garnier|Opera Garnier]]) |
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* Jeune pêcheur à la coquille - [[Naples|Neapolitan]] Fisherboy - in the [[Louvre]], [[Paris]] [[http://www.insecula.com/oeuvre/photo_ME0000034255.html]] |
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* Girl with Shell |
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* [[Antoine Watteau]] monument, [[Valenciennes]] |
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==Neapolitan Fisherboy== |
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==Stadium== |
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Carpeaux submitted a plaster version of ''Pêcheur napolitain à la coquille'', the Neapolitan Fisherboy, to the [[French Academy]] while a student in [[Rome]]. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for [[Napoleon III]]'s empress, [[Eugénie de Montijo|Eugènie]]. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the [[National Gallery of Art]] in [[Washington D.C.]] |
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The club plays their home matches at [[Estadio Agustín Tovar|Estadio La Carolina]], which has a maximum capacity of 30,000 people. |
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Some years later, he carved the Girl with a Shell, a very similar study. |
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==Current first team squad== |
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Carpeaux sought real life subjects in the streets and broke with the classical tradition. The Neapolitan Fisherboy's body is carved in intimate detail and shows an intricately balanced pose. Carpeaux claimed that he based the Neapolitan Fisherboy on a boy he had seen during a trip to [[Naples]]. |
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{{football squad start}} |
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{{fs player| no= 1 | nat=Venezuela | pos=GK | name=[[Daniel Valdes]] }} |
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{{fs player| no= 2 | nat=Venezuela | pos=DF | name=[[Rolando Álvarez]] }} |
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{{fs player| no= 5 | nat=Venezuela | pos=DF | name=[[Moises Galezzo]] }} |
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{{fs player| no= 6 | nat=Venezuela | pos=MF | name=[[Rodríguez Dolvis]] }} |
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{{fs player| no= 7 | nat=Venezuela | pos=MF | name=[[Junior Rivas]] }} |
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{{fs player| no= 9 | nat=Venezuela | pos=FW | name=[[José Chirinos]] }} |
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{{fs player| no= 10 | nat=Colombia | pos=MF | name=[[Giovanny Pérez]] }} |
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{{fs player| no= 11 | nat=Venezuela | pos=FW | name=[[Charles Camargo]] }} |
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{{fs player| no= 12 | nat=Venezuela | pos=GK | name=[[Juan Álvarez (footballer)|Juan Álvarez]] }} |
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{{fs player| no= 13 | nat=Venezuela | pos=MF | name=[[Jackson Romero]] }} |
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{{football squad mid}} |
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{{fs player| no= 14 | nat=Venezuela | pos=FW | name=[[Brayan Fuentes]] }} |
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{{fs player| no= 15 | nat=Venezuela | pos=MF | name=[[Evelio Hernández]] }} |
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{{fs player| no= 16 | nat=Venezuela | pos=MF | name=[[Andrés Sánchez]] }} |
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{{fs player| no= 18 | nat=Venezuela | pos=MF | name=[[Franklin Díaz]] }} |
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{{fs player| no= 20 | nat=Colombia | pos=MF | name=[[Carlos Valencia]] }} |
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{{fs player| no= 21 | nat=Venezuela | pos=MF | name=[[Engelbert Pérez]] }} |
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{{fs player| no= 22 | nat=Uruguay | pos=FW | name=[[Bento Darosa]] }} |
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{{fs player| no= 23 | nat=Colombia | pos=MF | name=[[Bladimir Morales]] }} |
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{{fs player| no= 25 | nat=Colombia | pos=MF | name=[[Florez Jhon]] }} |
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{{football squad end}} |
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== |
==External links== |
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*[http://cartelfr.louvre.fr/cartelfr/visite?srv=rs_display_res&critere=jean+baptiste+carpeaux&operator=AND&nbToDisplay=5&langue=fr A page on the official Louvre site giving access to some of Carpeaux's works (French language only)] |
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*[http://www.zamorafc.com.ve/creditos.htm Zamora FC] (Spanish) |
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*[http://www.insecula.com/contact/A005511_oeuvre_1.html A page from insecula.com listing more views of Carpeaux's works (also in French;] it may be necessary to close an advertising window to view this page) |
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*[http://www.studiolo.org/MMA-Ugolino/Ugolino.htm A page analysing Carpeaux's ''Ugolino'', with numerous illustrations] |
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[[Category:French sculptors|Carpeaux, Jean-Baptiste]] |
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[[Category:1827 births|Carpeaux, Jean-Baptiste]] |
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[[Category:1875 deaths|Carpeaux, Jean-Baptiste]] |
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[[de:Jean-Baptiste Carpeaux]] |
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{{Primera División Venezolana}} |
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[[fr:Jean-Baptiste Carpeaux]] |
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{{SouthAm-footyclub-stub}} |
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[[nl:Jean-Baptiste Carpeaux]] |
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[[pl:Jean-Baptiste Carpeaux]] |
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[[Category:Football (soccer) clubs established in 1977]] |
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[[pt:Jean-Baptiste Carpeaux]] |
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[[Category:Venezuelan football clubs]] |
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[[zh:让-巴蒂斯·卡尔波]] |
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[[es:Zamora Fútbol Club]] |
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[[fr:Zamora FC]] |
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Revision as of 01:07, 19 June 2007
Jean-Baptiste Carpeaux (May 11, 1827, Valenciennes –October 12, 1875, Courbevoie) was a French sculptor and painter. His early studies were under François Rude. Carpeaux won the Prix de Rome in 1854, and moving to Rome to find inspiration, he there studied the works of Michelangelo, Donatello and Verrocchio. Staying in Rome from 1854 to 1861, he obtained a taste for movement and spontaneity, which he joined with the great principles of baroque art. In 1861 he made a bust of Princess Mathilde, and this later brought him several commissions from Napoleon III. He worked at the pavilion of Flora, and the Opéra Garnier. His group La Danse (the Dance, 1869), situated on the right side of the façade, was criticised as an offence to common decency.
He never managed to finish his last work, the famous Fountain of the Four Parts of the Earth, on the Place Camille Jullian. He did finish the terrestrial globe, supported by the four figures of Asia, Europe, America and Africa, and it was Emmanuel Frémiet who completed the work by adding the eight leaping horses, the tortoises and the dolphins of the basin.
Sculptures by Carpeaux
- Ugolin et ses fils - Ugolino and his Sons (1861, in the permanent collection of the Metropolitan Museum of Art)[[1]] with versions in other museums including the Musée d'Orsay
- The Dance (commissioned for the Opera Garnier)
- Jeune pêcheur à la coquille - Neapolitan Fisherboy - in the Louvre, Paris [[2]]
- Girl with Shell
- Antoine Watteau monument, Valenciennes
Neapolitan Fisherboy
Carpeaux submitted a plaster version of Pêcheur napolitain à la coquille, the Neapolitan Fisherboy, to the French Academy while a student in Rome. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for Napoleon III's empress, Eugènie. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the National Gallery of Art in Washington D.C.
Some years later, he carved the Girl with a Shell, a very similar study.
Carpeaux sought real life subjects in the streets and broke with the classical tradition. The Neapolitan Fisherboy's body is carved in intimate detail and shows an intricately balanced pose. Carpeaux claimed that he based the Neapolitan Fisherboy on a boy he had seen during a trip to Naples.
External links
- A page on the official Louvre site giving access to some of Carpeaux's works (French language only)
- A page from insecula.com listing more views of Carpeaux's works (also in French; it may be necessary to close an advertising window to view this page)
- A page analysing Carpeaux's Ugolino, with numerous illustrations