Skype for Business Server and Jean-Baptiste Carpeaux: Difference between pages
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[[Image:Jean-Baptiste Carpeaux's marble sculpture 'Ugolino and his Sons', Metropolitan Museum of Art.jpg|thumb|right|400px|Jean-Baptiste Carpeaux's marble sculpture 'Ugolino and his Sons', Metropolitan Museum of Art]] |
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'''Microsoft Office Live Communications Server''' is described by [[Microsoft]] as an enterprise real-time communications server, providing [[instant messaging]] and [[collaborative software|collaboration]] functionality. |
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[[Image:Jean-Baptiste_Carpeaux_La_Danse.jpg|thumb|right|400px|La Danse (The Dance), Opera Garnier in Paris]] |
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{{Commonscat}} |
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'''Jean-Baptiste Carpeaux''' ([[May 11]], [[1827]], [[Valenciennes]] –[[October 12]], [[1875]], [[Courbevoie]]) was a French sculptor and painter. His early studies were under [[François Rude]]. Carpeaux won the [[Prix de Rome]] in [[1854]], and moving to [[Rome]] to find inspiration, he there studied the works of [[Michelangelo Buonarroti|Michelangelo]], [[Donatello]] and [[Andrea del Verrocchio|Verrocchio]]. Staying in Rome from [[1854]] to [[1861]], he obtained a taste for movement and spontaneity, which he joined with the great principles of [[baroque art]]. In [[1861]] he made a bust of [[Mathilde Bonaparte|Princess Mathilde]], and this later brought him several commissions from [[Napoleon III]]. He worked at the pavilion of [[Flora (goddess)|Flora]], and the [[Opéra Garnier]]. His group La Danse (the Dance, [[1869]]), situated on the right side of the façade, was criticised as an offence to common decency. |
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In use, Live Communications Server appears identical to [[Windows Messenger]], as it uses the [[Windows Messenger]] software as its client. However, while [[Windows Messenger]] still can be used, it has now been replaced by [[Microsoft Office Communicator]] as the recommended client. With this new client, it is possible to extend the abilities of Live Communications Server to include integration with many corporate telephone systems, and with the [[Microsoft Office]] suite. |
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He never managed to finish his last work, the famous Fountain of the Four Parts of the Earth, on the Place Camille Jullian. He did finish the terrestrial globe, supported by the four figures of [[Asia]], [[Europe]], [[North America|America]] and [[Africa]], and it was [[Emmanuel Frémiet]] who completed the work by adding the eight leaping horses, the tortoises and the dolphins of the basin. |
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The principal use of Live Communications Server is [[instant messaging]] within a single network, including [[presence information]], application sharing, file transfer and voice and video communication. (These latter features are often not possible even within a single network using public IM clients, due to the effects of negotiating the corporate [[firewall (networking)|firewall]] and [[Network Address Translation]]). However, Live Communications Server 2005 now includes the ability - "[[federated identity|federation]]" - to interoperate with other corporate IM networks, either those specified, or any network listing the appropriate [[SRV records]] in the [[Domain Name System|DNS]]. |
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== Sculptures by Carpeaux == |
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Microsoft Office Live Communications Server uses the [[Session Initiation Protocol]] (SIP) to communicate between server and client. On the server side, Live Communications Server offers the ability to encrypt IM traffic, and to log and archive all message traffic passing through the server, increasingly a legal requirement for many companies. |
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* Ugolin et ses fils - [[Ugolino della Gherardesca|Ugolino]] and his Sons (1861, in the permanent collection of the [[Metropolitan Museum of Art]])[[http://www.insecula.com/oeuvre/photo_ME0000009025.html]] with versions in other museums including the [[Musée d'Orsay]] |
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Finally, in the recent [[Service Pack]] 1 for [[Microsoft Office Live Communications Server|Live Communications Server]] 2005, [[Microsoft]] have added the ability for LCS installations to interoperate with the [[MSN]], [[AOL]] and [[Yahoo!]] IM networks. |
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* The Dance (commissioned for the [[Palais Garnier|Opera Garnier]]) |
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* Jeune pêcheur à la coquille - [[Naples|Neapolitan]] Fisherboy - in the [[Louvre]], [[Paris]] [[http://www.insecula.com/oeuvre/photo_ME0000034255.html]] |
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* Girl with Shell |
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* [[Antoine Watteau]] monument, [[Valenciennes]] |
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==Neapolitan Fisherboy== |
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==Versions for Windows== |
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* (future version) [[2007]] - Office Communications Server 2007 |
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* [[2005]] - Office Live Communications Server 2005 |
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* [[2003]] - Live Communications Server 2003 |
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Carpeaux submitted a plaster version of ''Pêcheur napolitain à la coquille'', the Neapolitan Fisherboy, to the [[French Academy]] while a student in [[Rome]]. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for [[Napoleon III]]'s empress, [[Eugénie de Montijo|Eugènie]]. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the [[National Gallery of Art]] in [[Washington D.C.]] |
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==Licensing== |
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Microsoft Office Live Communications Server is licensed in the usual manner for [[Microsoft]] software; a single license is purchased for the server, which includes a number of [[Client Access License]]s. Each user or device accessing the server then requires a [[Client Access License]] (CAL), either part of that initial number or purchased separately. |
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Some years later, he carved the Girl with a Shell, a very similar study. |
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In the case of [[Microsoft Office Live Communications Server|Live Communications Server]], this picture is complicated by the existence of: |
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Carpeaux sought real life subjects in the streets and broke with the classical tradition. The Neapolitan Fisherboy's body is carved in intimate detail and shows an intricately balanced pose. Carpeaux claimed that he based the Neapolitan Fisherboy on a boy he had seen during a trip to [[Naples]]. |
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* ''Telephony CALs'', required for users or devices which use the telephony [[PBX]] integration for [[call control]] or [[teleconferencing]]. |
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* the ''External Connector License'', which is required if you wish external users to access your [[Microsoft Office Live Communications Server|Live Communications Server]] (such as a partner or retired employee who no longer works for your company) - one per server handling external traffic. Note that federation to remote systems is not covered by the ''External Connector License'', but rather through individual agreements with other companies (no additional license needed) or through the ''Public IM Connectivity Service'' for access to the MSN, AOL, or Yahoo! networks. |
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* and the ''Public IM Connectivity Service'' - a per-user per-month service agreement permitting access to the [[MSN]], [[AOL]] and [[Yahoo!]] [[instant messaging]] networks. |
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Any and all of these may be purchased separately. |
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(When Microsoft Office Live Communications Server was originally launched on 29 December 2003, it replaced the [[Microsoft Exchange Server|Exchange]] Instant Messenger Service that had been included in Exchange 2000, but which was removed from the Exchange 2003 [[feature set]]. Thus, holders of Exchange 2000 licenses which include [[Microsoft Software Assurance|Software Assurance]] are entitled to receive [[Microsoft Office Live Communications Server|Live Communications Server]] as an upgrade, along with Exchange 2003; however, Live Communications Server [[Client Access License]]s must be purchased as normal for new users.) |
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==Competition== |
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Competitors are IBM's [[Lotus Sametime]] and [[Jabber]]. Of course the public [[instant messaging]] networks are widely used by employees. There have been attempts by other vendors at providing solutions such as [[Yahoo!]]'s Enterprise Instant Messenger; however these attempts have been largely unsuccessful. |
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There once existed an [[ICQ]] corporate client and server, but it is no longer supported or developed. |
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==See also== |
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* [[Microsoft Office]] |
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* [[Windows Server System]] |
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==External links== |
==External links== |
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* [http://www.microsoft.com/office/livecomm/prodinfo/default.mspx Microsoft Office Live Communications Server (official site)] |
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* [http://www.microsoft.com/office/livecomm/prodinfo/compare.mspx LCS feature comparison] |
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* [http://msdn2.microsoft.com/en-us/office/aa905499.aspx LCS Developer Portal] |
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* [http://imwire.eventure.biz/imwire/category/4.aspx LCS Developer articles] |
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* {{fr}} [http://blogs.microsoft.fr/franckha/archive/2005/08/19/8176.aspx Customer Case Study] |
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*[http://cartelfr.louvre.fr/cartelfr/visite?srv=rs_display_res&critere=jean+baptiste+carpeaux&operator=AND&nbToDisplay=5&langue=fr A page on the official Louvre site giving access to some of Carpeaux's works (French language only)] |
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{{Microsoft Office}} |
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*[http://www.insecula.com/contact/A005511_oeuvre_1.html A page from insecula.com listing more views of Carpeaux's works (also in French;] it may be necessary to close an advertising window to view this page) |
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*[http://www.studiolo.org/MMA-Ugolino/Ugolino.htm A page analysing Carpeaux's ''Ugolino'', with numerous illustrations] |
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[[Category:French sculptors|Carpeaux, Jean-Baptiste]] |
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[[Category:1827 births|Carpeaux, Jean-Baptiste]] |
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[[Category:1875 deaths|Carpeaux, Jean-Baptiste]] |
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Revision as of 01:07, 19 June 2007
Wikimedia Commons has media related to Jean-Baptiste Carpeaux.
Jean-Baptiste Carpeaux (May 11, 1827, Valenciennes –October 12, 1875, Courbevoie) was a French sculptor and painter. His early studies were under François Rude. Carpeaux won the Prix de Rome in 1854, and moving to Rome to find inspiration, he there studied the works of Michelangelo, Donatello and Verrocchio. Staying in Rome from 1854 to 1861, he obtained a taste for movement and spontaneity, which he joined with the great principles of baroque art. In 1861 he made a bust of Princess Mathilde, and this later brought him several commissions from Napoleon III. He worked at the pavilion of Flora, and the Opéra Garnier. His group La Danse (the Dance, 1869), situated on the right side of the façade, was criticised as an offence to common decency.
He never managed to finish his last work, the famous Fountain of the Four Parts of the Earth, on the Place Camille Jullian. He did finish the terrestrial globe, supported by the four figures of Asia, Europe, America and Africa, and it was Emmanuel Frémiet who completed the work by adding the eight leaping horses, the tortoises and the dolphins of the basin.
Sculptures by Carpeaux
- Ugolin et ses fils - Ugolino and his Sons (1861, in the permanent collection of the Metropolitan Museum of Art)[[1]] with versions in other museums including the Musée d'Orsay
- The Dance (commissioned for the Opera Garnier)
- Jeune pêcheur à la coquille - Neapolitan Fisherboy - in the Louvre, Paris [[2]]
- Girl with Shell
- Antoine Watteau monument, Valenciennes
Neapolitan Fisherboy
Carpeaux submitted a plaster version of Pêcheur napolitain à la coquille, the Neapolitan Fisherboy, to the French Academy while a student in Rome. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for Napoleon III's empress, Eugènie. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the National Gallery of Art in Washington D.C.
Some years later, he carved the Girl with a Shell, a very similar study.
Carpeaux sought real life subjects in the streets and broke with the classical tradition. The Neapolitan Fisherboy's body is carved in intimate detail and shows an intricately balanced pose. Carpeaux claimed that he based the Neapolitan Fisherboy on a boy he had seen during a trip to Naples.
External links
- A page on the official Louvre site giving access to some of Carpeaux's works (French language only)
- A page from insecula.com listing more views of Carpeaux's works (also in French; it may be necessary to close an advertising window to view this page)
- A page analysing Carpeaux's Ugolino, with numerous illustrations