Superstition Mountains and Jean-Baptiste Carpeaux: Difference between pages
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[[Image:Jean-Baptiste Carpeaux's marble sculpture 'Ugolino and his Sons', Metropolitan Museum of Art.jpg|thumb|right|400px|Jean-Baptiste Carpeaux's marble sculpture 'Ugolino and his Sons', Metropolitan Museum of Art]] |
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[[Image:SUPERSTITIONS AZ15.jpg|thumb|center|300px|left|The Superstitions]] |
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[[Image:Jean-Baptiste_Carpeaux_La_Danse.jpg|thumb|right|400px|La Danse (The Dance), Opera Garnier in Paris]] |
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The '''Superstition Mountains''', popularly referred to as "The Superstitions", are a range of mountains in [[Arizona]] located to the east of the [[Phoenix metropolitan area]]. They are anchored by [[Superstition Mountain]], a large mountain that is a popular recreation destination for residents of the [[Phoenix, Arizona]] area. |
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{{Commonscat}} |
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'''Jean-Baptiste Carpeaux''' ([[May 11]], [[1827]], [[Valenciennes]] –[[October 12]], [[1875]], [[Courbevoie]]) was a French sculptor and painter. His early studies were under [[François Rude]]. Carpeaux won the [[Prix de Rome]] in [[1854]], and moving to [[Rome]] to find inspiration, he there studied the works of [[Michelangelo Buonarroti|Michelangelo]], [[Donatello]] and [[Andrea del Verrocchio|Verrocchio]]. Staying in Rome from [[1854]] to [[1861]], he obtained a taste for movement and spontaneity, which he joined with the great principles of [[baroque art]]. In [[1861]] he made a bust of [[Mathilde Bonaparte|Princess Mathilde]], and this later brought him several commissions from [[Napoleon III]]. He worked at the pavilion of [[Flora (goddess)|Flora]], and the [[Opéra Garnier]]. His group La Danse (the Dance, [[1869]]), situated on the right side of the façade, was criticised as an offence to common decency. |
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The mountain range is in the federally-designated Superstition Mountain Wilderness Area, and includes a variety of natural features in addition to the mountain that is its namesake. [[Weaver's Needle]], a prominent landmark and rock climbing destination set behind and to the east of Superstition Mountain, is a tall erosional remnant <ref name="kollenborn">{{cite web |
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| url=http://www.ajpl.org/aj/superstition/1eedle.htm |
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| title=WEAVER'S NEEDLE OR PICACHO |
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| accessdate=April 2007 |
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| author=Tom Kollenborn |
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| year=1990 |
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}}</ref> that plays a significant role in the legend of the [[Lost Dutchman's Gold Mine]]. [[Miner's Needle]] is another prominent formation in the wilderness and a popular hiking destination. |
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He never managed to finish his last work, the famous Fountain of the Four Parts of the Earth, on the Place Camille Jullian. He did finish the terrestrial globe, supported by the four figures of [[Asia]], [[Europe]], [[North America|America]] and [[Africa]], and it was [[Emmanuel Frémiet]] who completed the work by adding the eight leaping horses, the tortoises and the dolphins of the basin. |
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As with most of the terrain surrounding the Phoenix metropolitan area, the Superstition Mountains have a desert climate, with high summer temperatures and few perennial sources of water. The altitude in the more remote, eastern portion of the wilderness is higher than the western portion, which lowers temperatures slightly. Numerous hiking trails cross the mountains from multiple access points, including the Peralta Trailhead, the most popular. <ref name="azcentral">{{cite web |
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| url=http://www.azcentral.com/travel/arizona/features/articles/archive/superhiking.html |
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| title=Hiking the Supsertitions |
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| accessdate=April 2007 |
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| author=Doug Carroll |
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}}</ref> The Lost Dutchman State Park, located on the west side of Superstition Mountain, includes numerous trails. |
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== Sculptures by Carpeaux == |
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The Superstition Mountains are bounded roughly by [[U.S. Route 60]] on the south, [[Arizona State Route 88]] on the northwest, and Arizona State Route 188 on the northeast. |
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* Ugolin et ses fils - [[Ugolino della Gherardesca|Ugolino]] and his Sons (1861, in the permanent collection of the [[Metropolitan Museum of Art]])[[http://www.insecula.com/oeuvre/photo_ME0000009025.html]] with versions in other museums including the [[Musée d'Orsay]] |
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== Superstition legends == |
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* The Dance (commissioned for the [[Palais Garnier|Opera Garnier]]) |
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The legend of the [[Lost Dutchman's Gold Mine]] centers around the Superstition Mountains. According to the legend, a German immigrant named Jacob Waltz (some sources offer other spellings of his last name, such as "Walz") discovered a [[mother lode]] in the Superstition Wilderness and revealed its location on his deathbed in 1891 to a woman who had taken care of him for many years. Several mines have been claimed to be the actual mine that Waltz discovered, but none of those claims have been verified.<ref name="kollenborn" /> |
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* Jeune pêcheur à la coquille - [[Naples|Neapolitan]] Fisherboy - in the [[Louvre]], [[Paris]] [[http://www.insecula.com/oeuvre/photo_ME0000034255.html]] |
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* Girl with Shell |
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* [[Antoine Watteau]] monument, [[Valenciennes]] |
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==Neapolitan Fisherboy== |
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Some [[Apache]]s believe that the hole leading down into the lower world is located in the Superstition Mountains. Winds blowing from the hole are supposed to be the cause of severe dust storms.<ref>Vitaliano, Dorothy. 1973. ''Legends of the Earth'', Bloomington: University of Indiana Press, pp. 170-171.</ref> |
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Carpeaux submitted a plaster version of ''Pêcheur napolitain à la coquille'', the Neapolitan Fisherboy, to the [[French Academy]] while a student in [[Rome]]. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for [[Napoleon III]]'s empress, [[Eugénie de Montijo|Eugènie]]. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the [[National Gallery of Art]] in [[Washington D.C.]] |
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The [[Peralta Stones]] were discovered near the Superstition Wilderness and appear to contain a cryptic [[treasure map]], although their authenticity is doubted by many researchers. |
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Some years later, he carved the Girl with a Shell, a very similar study. |
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Several people have also disappeared in the mountains, including robbers, bandits, explorers, hikers and bird watchers. There have also been reports of [[alien abduction]]s in the mountains.{{fact|date=April 2007}} |
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Carpeaux sought real life subjects in the streets and broke with the classical tradition. The Neapolitan Fisherboy's body is carved in intimate detail and shows an intricately balanced pose. Carpeaux claimed that he based the Neapolitan Fisherboy on a boy he had seen during a trip to [[Naples]]. |
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== Nearby towns and cities == |
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* [[Apache Junction, Arizona]] |
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* [[Tortilla Flat, Arizona]] |
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* [[Superior, Arizona]] |
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* [[Phoenix, Arizona]] |
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== |
==External links== |
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{{reflist}} |
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*[http://cartelfr.louvre.fr/cartelfr/visite?srv=rs_display_res&critere=jean+baptiste+carpeaux&operator=AND&nbToDisplay=5&langue=fr A page on the official Louvre site giving access to some of Carpeaux's works (French language only)] |
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[[Category:Phoenix metropolitan area]] |
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*[http://www.insecula.com/contact/A005511_oeuvre_1.html A page from insecula.com listing more views of Carpeaux's works (also in French;] it may be necessary to close an advertising window to view this page) |
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[[Category:Wilderness Areas of Arizona]] |
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*[http://www.studiolo.org/MMA-Ugolino/Ugolino.htm A page analysing Carpeaux's ''Ugolino'', with numerous illustrations] |
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[[Category:French sculptors|Carpeaux, Jean-Baptiste]] |
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[[Category:1827 births|Carpeaux, Jean-Baptiste]] |
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[[Category:1875 deaths|Carpeaux, Jean-Baptiste]] |
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[[de:Jean-Baptiste Carpeaux]] |
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[[fr:Jean-Baptiste Carpeaux]] |
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[[nl:Jean-Baptiste Carpeaux]] |
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[[pl:Jean-Baptiste Carpeaux]] |
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[[pt:Jean-Baptiste Carpeaux]] |
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[[zh:让-巴蒂斯·卡尔波]] |
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Revision as of 01:07, 19 June 2007
Wikimedia Commons has media related to Jean-Baptiste Carpeaux.
Jean-Baptiste Carpeaux (May 11, 1827, Valenciennes –October 12, 1875, Courbevoie) was a French sculptor and painter. His early studies were under François Rude. Carpeaux won the Prix de Rome in 1854, and moving to Rome to find inspiration, he there studied the works of Michelangelo, Donatello and Verrocchio. Staying in Rome from 1854 to 1861, he obtained a taste for movement and spontaneity, which he joined with the great principles of baroque art. In 1861 he made a bust of Princess Mathilde, and this later brought him several commissions from Napoleon III. He worked at the pavilion of Flora, and the Opéra Garnier. His group La Danse (the Dance, 1869), situated on the right side of the façade, was criticised as an offence to common decency.
He never managed to finish his last work, the famous Fountain of the Four Parts of the Earth, on the Place Camille Jullian. He did finish the terrestrial globe, supported by the four figures of Asia, Europe, America and Africa, and it was Emmanuel Frémiet who completed the work by adding the eight leaping horses, the tortoises and the dolphins of the basin.
Sculptures by Carpeaux
- Ugolin et ses fils - Ugolino and his Sons (1861, in the permanent collection of the Metropolitan Museum of Art)[[1]] with versions in other museums including the Musée d'Orsay
- The Dance (commissioned for the Opera Garnier)
- Jeune pêcheur à la coquille - Neapolitan Fisherboy - in the Louvre, Paris [[2]]
- Girl with Shell
- Antoine Watteau monument, Valenciennes
Neapolitan Fisherboy
Carpeaux submitted a plaster version of Pêcheur napolitain à la coquille, the Neapolitan Fisherboy, to the French Academy while a student in Rome. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for Napoleon III's empress, Eugènie. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the National Gallery of Art in Washington D.C.
Some years later, he carved the Girl with a Shell, a very similar study.
Carpeaux sought real life subjects in the streets and broke with the classical tradition. The Neapolitan Fisherboy's body is carved in intimate detail and shows an intricately balanced pose. Carpeaux claimed that he based the Neapolitan Fisherboy on a boy he had seen during a trip to Naples.
External links
- A page on the official Louvre site giving access to some of Carpeaux's works (French language only)
- A page from insecula.com listing more views of Carpeaux's works (also in French; it may be necessary to close an advertising window to view this page)
- A page analysing Carpeaux's Ugolino, with numerous illustrations