San Borja District and Jean-Baptiste Carpeaux: Difference between pages

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[[Image:Jean-Baptiste Carpeaux's marble sculpture 'Ugolino and his Sons', Metropolitan Museum of Art.jpg|thumb|right|400px|Jean-Baptiste Carpeaux's marble sculpture 'Ugolino and his Sons', Metropolitan Museum of Art]]
{{Lima district table|
[[Image:Jean-Baptiste_Carpeaux_La_Danse.jpg|thumb|right|400px|La Danse (The Dance), Opera Garnier in Paris]]
name=San Borja|
{{Commonscat}}
pop=133,486 ([[2002]] estimate)|
density=13402|
area=9.96|
mayor=Alberto Tejada|
created=[[June 1]], [[1983]]|
map=[[Image:Location of San Borja District.png|208px]]
[[Image:San Borja coat of arms.png|120px|Coat of Arms of San Borja]]|
}}


'''Jean-Baptiste Carpeaux''' ([[May 11]], [[1827]], [[Valenciennes]] –[[October 12]], [[1875]], [[Courbevoie]]) was a French sculptor and painter. His early studies were under [[François Rude]]. Carpeaux won the [[Prix de Rome]] in [[1854]], and moving to [[Rome]] to find inspiration, he there studied the works of [[Michelangelo Buonarroti|Michelangelo]], [[Donatello]] and [[Andrea del Verrocchio|Verrocchio]]. Staying in Rome from [[1854]] to [[1861]], he obtained a taste for movement and spontaneity, which he joined with the great principles of [[baroque art]]. In [[1861]] he made a bust of [[Mathilde Bonaparte|Princess Mathilde]], and this later brought him several commissions from [[Napoleon III]]. He worked at the pavilion of [[Flora (goddess)|Flora]], and the [[Opéra Garnier]]. His group La Danse (the Dance, [[1869]]), situated on the right side of the façade, was criticised as an offence to common decency.
'''San Borja''' is a [[district]] in the [[Lima Province]] in [[Peru]] and one of the districts comprised by the city of [[Lima]].
Originally part of the district of [[Surquillo]], it became officially established as a separate district on [[June 1]], [[1983]]. The new district took its name from a former ''hacienda'' ([[Estate (house)|estate]]) which dominated the area.
The district's [[postal code]] is '''41'''.
The current [[mayor]] ([[alcalde]]) is Dr. Alberto Tejada.
[[Image:2006_1214_152122AA(2).JPG|thumb|left|225px|General view]]
[[Image:S4010057.JPG|thumb|left|225px|Typical residential street]]


He never managed to finish his last work, the famous Fountain of the Four Parts of the Earth, on the Place Camille Jullian. He did finish the terrestrial globe, supported by the four figures of [[Asia]], [[Europe]], [[North America|America]] and [[Africa]], and it was [[Emmanuel Frémiet]] who completed the work by adding the eight leaping horses, the tortoises and the dolphins of the basin.
San Borja is one of the few districts of Lima which was planned from the beginning and developed in an orderly fashion. This happened in a relatively short time, during the 1970s the area underwent massive population growth and by the early 1980s almost all the land had been built up. San Borja is now a mostly an upper to middle class residential area with permanent green and beautiful parks and gardens. The district's parks and green areas can be clearly seen on the satellite photographs (see external link).


== Sculptures by Carpeaux ==
San Borja can be easily accessed using Javier Prado Avenue (the most likely route if coming from Lima International Airport), Angamos Avenue or Aviacion Avenue. The Panamerican Highway marks the eastern border of the district and is the most direct route if coming from the north or the south of the country.


* Ugolin et ses fils - [[Ugolino della Gherardesca|Ugolino]] and his Sons (1861, in the permanent collection of the [[Metropolitan Museum of Art]])[[http://www.insecula.com/oeuvre/photo_ME0000009025.html]] with versions in other museums including the [[Musée d'Orsay]]
Most of the residential streets in this district are named after famous painters and artists, such as calle Millet, calle Redon, calle [[Claude Monet|Monet]], calle [[Jean-Jacques Rousseau|Rousseau]], calle [[Vincent van Gogh|Van Gogh]], to name just a few.
* The Dance (commissioned for the [[Palais Garnier|Opera Garnier]])
* Jeune pêcheur à la coquille - [[Naples|Neapolitan]] Fisherboy - in the [[Louvre]], [[Paris]] [[http://www.insecula.com/oeuvre/photo_ME0000034255.html]]
* Girl with Shell
* [[Antoine Watteau]] monument, [[Valenciennes]]


==Neapolitan Fisherboy==
==Geography==
San Borja is bordered by the districts of [[San Luis]] and [[La Victoria]] on the north, [[Santiago de Surco]] on the east and south, [[Surquillo]] on the southwest and [[San Isidro]] on the west.
[[Image:S4010037.JPG|thumb|left|225px|Rio Surco in San Borja.]]
The Rio Surco (Surco river) traverses the district in a north-south direction. This is not an actual river, it is a canal built in pre-Inca times. The canal took water from the Rimac river and was used to irrigate crops. It is nowadays used to irrigate public parks.
San Borja is approximately 150 metres above sea level. The terrain is mostly flat.
San Borja has a climate typical of the Peruvian coastal area. The weather is mild, with warm summers and cool winters, and humid all year round. It never rains but during the months from June to October its streets dampen due to a fine drizzle, called "garúa" in Spanish. During this period, the sky is constantly overcast.
Average temperatures in San Borja range between 18 and 22 degrees Celsius. The summer season lasts from December to April. During this time temperatures can reach highs of 28 and 30 °C. Winter lasts from May to November with temperatures as low as 12 or 15 °C.
San Borja has many well maitained and watered parks and green areas, about 10 square metres per person. "Ponciana" trees are very common in the district.
According to the Peruvian Institute of Statistics, the age distribution of the population of San Borja is as follows:<br/>


Carpeaux submitted a plaster version of ''Pêcheur napolitain à la coquille'', the Neapolitan Fisherboy, to the [[French Academy]] while a student in [[Rome]]. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for [[Napoleon III]]'s empress, [[Eugénie de Montijo|Eugènie]]. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the [[National Gallery of Art]] in [[Washington D.C.]]
{| class="wikitable"
|+
! Age Group || Population
|-
| '''0-10''' ||23,227
|-
| '''11-14'''||26,163
|-
|'''15-29'''|||26,964
|-
|'''30-59'''||46,720
|-
|'''60+'''||10,412
|-
|'''Total'''||133,486
|}


Some years later, he carved the Girl with a Shell, a very similar study.
==History==
[[Image:HuacaSanBorja.JPG|thumb|left|225px|Huaca San Borja]]
There are two archaeological remains in San Borja: [[Huaca]] (shrine) San Borja and Huaca Limatambo. These were built in pre-Inca times. The Surco river (an old irrigation canal), which traverses the district in a northeast to southwest direction, is also pre-Inca.


Carpeaux sought real life subjects in the streets and broke with the classical tradition. The Neapolitan Fisherboy's body is carved in intimate detail and shows an intricately balanced pose. Carpeaux claimed that he based the Neapolitan Fisherboy on a boy he had seen during a trip to [[Naples]].
The Huaca San Borja was built by the Ichma culture, a loosely organised kingdom that developed in the Lurin and Rimac valleys, during the Late Intermediate Period (AD 1100-1475). It is believed this kingdom was centered in [[Pachacamac]]. This huaca is an 8 metre high truncated pyramid made of dried mud. It is surrounded by a mud wall enclosing three out of the four sides of the huaca. The perimeter wall was painted white originally. There is a second inner perimeter wall that encloses rooms, corridors and platforms at different levels. The site was abandoned at the beginning of the colonial period. During the Republic, a house was built on top. The huaca is now open for guided visits. The Huaca Limatambo is as old as the Huaca San Borja. However, Limatambo is not open to the public and archaeological studies are ongoing.


==External links==
After the Spanish conquest and the foundation of the city of Lima in 1535, the land that includes modern San Borja was given to Antonio Picado, secretary of [[Francisco Pizarro]]. After many change of hands, in 1568 the land was given to the [[Jesuit]] Order.


*[http://cartelfr.louvre.fr/cartelfr/visite?srv=rs_display_res&critere=jean+baptiste+carpeaux&operator=AND&nbToDisplay=5&langue=fr A page on the official Louvre site giving access to some of Carpeaux's works (French language only)]
The Jesuits had an hacienda (estate) called "San Francisco de Borja y Aragon", later known as Hacienda "San Borja". They grew potatoes, maize, grapes and vegetables for their own sustenance and to fund their charities. They later donated 2% of their land to the Government.
*[http://www.insecula.com/contact/A005511_oeuvre_1.html A page from insecula.com listing more views of Carpeaux's works (also in French;] it may be necessary to close an advertising window to view this page)

*[http://www.studiolo.org/MMA-Ugolino/Ugolino.htm A page analysing Carpeaux's ''Ugolino'', with numerous illustrations]
In 1949 the district of Surquillo was created, it included most of what is now San Borja.

The hacienda San Borja was later owned by the Brescia family, who continued to use the land for agricultural purposes. In 1960 they sold the land to two developers: "Inversiones San Borja" and "Inmobiliaria Santa Marina S.A.", who started the urbanization process.

The first inhabitants of the new "Urbanización San Borja" were the priests of the Congregation of the Most Precious Blood, who moved there in August 1962. The parish was established in the area limited by the San Borja Sur, Aviacion and Javier Prado avenues and the Surco river. The first families came to live in San Borja in May-June 1964. Back then it was still possible to see maize fields, cows, sheepherd dogs and many empty land plots. The tall eucalyptus trees seen today in San Borja Norte Avenue also date from those early days.

The first school, San Francisco de Borja, was opened in 1968.
According to the parish records, in 1973 there were about 400 families living in San Borja. In 1974, this figure increased to almost 4000 families, or about 16000 inhabitants.

San Borja separated from Surquillo and became officially established as a district on [[1 June]] [[1983]].

The area north of Javier Prado Avenue between San Luis and Circunvalación Avenues, originally part of [[San Luis District, Lima|San Luis]], were added later.
==Government Institutions==
Among the government institutions that are located in San Borja we can mention:

* Ministry of Education
* Ministry of Energy and Mines
[[Image:MinDefensa.jpg|thumb|right|Ministry of Defense]]

===Ministry of Defense===
''See also: [[Ministry of Defense of Peru]]

The Ministry of Defence of Peru (Spanish: Ministerio de Defensa del Perú) is the agency of the Peruvian government responsible for the safeguarding of national security on land, sea and air. For such purpose it exercises command over the Peruvian Armed Forces composed of the Army, the Navy and the Air Force.
The Ministry of Defense headquarters is a building commonly known as "Pentagonito" (Little Pentagon), located in the southeastern part of the district. Its architecture is typical of the military government of the 70s. Until 1987 it was called "Ministry of War".
The outer perimeter of the Ministry is a very popular circuit for joggers.

=== Museo de la Nacion===
{{main|Museum of the Nation}}
[[Image:LimaMuseoNacion.jpg|thumb|National Museum.]]
The "Museo de la Nacion" is located on the north-west of the district on the corner between Javier Prado and Aviacion avenues and very near to the National Library. It is Lima's largest museum. The building was initially constructed to be the Ministry of Fisheries. Its architecture is typical of the military government of the 1970s. It was later used by the National Bank but in 1990 was re-opened as the National Museum. The Museum comprises four floors of exhibitions, all in chronological order. The exhibition starts on the ground floor with pre-historical Peru and ends with the Inca Empire on the top floor. There is a very large collection of pre-colonial (before 1532) objects such as pottery, sculptures, mummies, textiles, weapons, tools, sacred idols and jewelry. A series of three-dimensional scale models and aerial photographs of the country's main archaeological sites and replicas of the houses, clothing and artwork in ancient Peru are exhibited. The main ancient Peruvian cultures like Chavin, Paracas, Moche, Nasca, Wari, Tiahuanaco, Chimu, and Inca are all represented and explained. There is a permanent exhibition of a replica of the "Lord of Sipan" tomb. Guides in Spanish and English are available.

===The National Library (Biblioteca Nacional)===
[[Image:BibliotecaNacional.jpg|thumb|right|National Library]]
The "Biblioteca Nacional" is on the corner between Javier Prado and Aviacion avenues and very near to the National Museum.
The National Library was established in 1821, the same year Peru was declared independent. It was originally located in Central Lima. During the [[War of the Pacific]], the Chilean occupation army stole most of the works the library possessed. The Library Director is currently trying to identify and recover some of the stolen works from the Chilean authorities.
After many years the new building in San Borja was completed and the Library moved there in 2006. The new building has all the modern facilities such as a theater, an amphitheater, cafeteria, exhibition halls, 12 reading rooms with internet connections, storage areas and administrative offices. Security is provided by a CCTV network and a modern fire control system. The Library contains the "Hemeroteca Nacional", the biggest collection of newspapers and magazines in the country. Their website has an online catalogue and a "Virtual Library".

=== Peruvian Institute of Nuclear Energy===
Its main goal is to promote and supervise the applications of nuclear energy in the country. It was created in 1975.


==External links==
* [http://www.munisanborja.gob.pe Municipalidad de San Borja] - San Borja district council official website (in Spanish)
* [http://maps.google.co.uk/maps?f=q&hl=en&q=peru&ie=UTF8&t=k&om=0&safe=on&ll=-12.09778,-76.996608&spn=0.020687,0.042915 Google satellite view of San Borja: ]
* [http://sanborja.com www.sanborja.com] - A website about San Borja (in Spanish)


[[Category:French sculptors|Carpeaux, Jean-Baptiste]]
{{Districts of Lima and Callao}}
[[Category:1827 births|Carpeaux, Jean-Baptiste]]
[[Category:1875 deaths|Carpeaux, Jean-Baptiste]]


[[de:Jean-Baptiste Carpeaux]]
[[es:Distrito de San Borja]]
[[fr:Jean-Baptiste Carpeaux]]
[[pt:San Borja (distrito)]]
[[nl:Jean-Baptiste Carpeaux]]
[[pl:Jean-Baptiste Carpeaux]]
[[pt:Jean-Baptiste Carpeaux]]
[[zh:让-巴蒂斯·卡尔波]]

Revision as of 01:07, 19 June 2007

Jean-Baptiste Carpeaux's marble sculpture 'Ugolino and his Sons', Metropolitan Museum of Art
La Danse (The Dance), Opera Garnier in Paris

Jean-Baptiste Carpeaux (May 11, 1827, ValenciennesOctober 12, 1875, Courbevoie) was a French sculptor and painter. His early studies were under François Rude. Carpeaux won the Prix de Rome in 1854, and moving to Rome to find inspiration, he there studied the works of Michelangelo, Donatello and Verrocchio. Staying in Rome from 1854 to 1861, he obtained a taste for movement and spontaneity, which he joined with the great principles of baroque art. In 1861 he made a bust of Princess Mathilde, and this later brought him several commissions from Napoleon III. He worked at the pavilion of Flora, and the Opéra Garnier. His group La Danse (the Dance, 1869), situated on the right side of the façade, was criticised as an offence to common decency.

He never managed to finish his last work, the famous Fountain of the Four Parts of the Earth, on the Place Camille Jullian. He did finish the terrestrial globe, supported by the four figures of Asia, Europe, America and Africa, and it was Emmanuel Frémiet who completed the work by adding the eight leaping horses, the tortoises and the dolphins of the basin.

Sculptures by Carpeaux

Neapolitan Fisherboy

Carpeaux submitted a plaster version of Pêcheur napolitain à la coquille, the Neapolitan Fisherboy, to the French Academy while a student in Rome. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for Napoleon III's empress, Eugènie. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the National Gallery of Art in Washington D.C.

Some years later, he carved the Girl with a Shell, a very similar study.

Carpeaux sought real life subjects in the streets and broke with the classical tradition. The Neapolitan Fisherboy's body is carved in intimate detail and shows an intricately balanced pose. Carpeaux claimed that he based the Neapolitan Fisherboy on a boy he had seen during a trip to Naples.

External links