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|first=}}</ref> The film was a 1997 nominee for the [[Academy Award for Best Art Direction &mdash; Set Decoration]].
|first=}}</ref> The film was a 1997 nominee for the [[Academy Award for Best Art Direction &mdash; Set Decoration]].


The film presents a [[biopunk]] vision of a society driven by [[liberal eugenics]]. Children of the middle and upper classes are selected through [[preimplantation genetic diagnosis]] to ensure they possess the best hereditary traits of their parents. A genetic registry database uses [[biometrics]] to instantly identify and classify those so created as "valids" while those conceived by traditional means are derisively known as "in-valids". While [[genetic discrimination]] is forbidden by law, in practice it is easy to profile a person's [[genotype]] resulting in the Valids qualifying for professional employment while the In-Valids (who are considered to be more susceptible to disease, illness, educational disfunction and shorter lifespans) are relegated to menial jobs. The movie draws on concerns over [[reproductive technologies]] which facilitate eugenics, and the possible consequences of such technological developments for society. It also explores the idea of [[destiny]] and the ways in which it can and does govern lives. Characters in ''Gattaca'' continually battle both with society and with themselves to find their place in the world and who they are destined to be according to their genes.
The film presents a [[biopunk]] vision of a society driven by [[liberal eugenics]] where expectant children are selected through [[preimplantation genetic diagnosis]] to ensure they possess the best hereditary traits of their parents. A genetic registry database uses [[biometrics]] to instantly identify and classify those so created as "valids" while those conceived by traditional means are derisively known as "in-valids". While [[genetic discrimination]] is forbidden by law, in practice it is easy to profile a person's [[genotype]] resulting in the Valids qualifying for professional employment while the In-Valids (who are considered to be more susceptible to physical and intellectual and psychological dysfunction and under-performance) are relegated to menial jobs. The movie draws on concerns over [[reproductive technologies]] which facilitate eugenics, and the possible consequences of such technological developments for society. It also explores the idea of [[human spirit]] and the ways in which it can and does govern lives. Characters in ''Gattaca'' continually battle both with the society and with themselves to find their place in the world and who they are destined to be according to their genes.


The title is based on the initial letters of the four [[DNA]] [[nitrogenous bases]] ([[adenine]], [[cytosine]], [[guanine]], and [[thymine]]). During the credits the letters G, C, T, and A are all highlighted.
The title is based on the initial letters of the four [[DNA]] [[nitrogenous bases]] ([[adenine]], [[cytosine]], [[guanine]], and [[thymine]]). During the credits the letters G, C, T, and A are all highlighted.

Revision as of 05:39, 4 June 2010

Gattaca
File:Gataca Movie Poster B.jpg
Theatrical release poster
Directed byAndrew Niccol
Written byAndrew Niccol
Produced byDanny DeVito
StarringEthan Hawke
Uma Thurman
Jude Law
Gore Vidal
Loren Dean
CinematographySlawomir Idziak
Edited byLisa Zeno Churgin
Music byMichael Nyman
Distributed byColumbia Pictures
Release date
October 24, 1997
Running time
106 minutes
CountryUnited States
LanguageEnglish
Budget$36 million
Box office$12,532,777 (North America)

Gattaca is a 1997 American science fiction film written and directed by Andrew Niccol. It stars Ethan Hawke, Uma Thurman and Jude Law with supporting roles played by Loren Dean, Ernest Borgnine, Gore Vidal and Alan Arkin.[1] The film was a 1997 nominee for the Academy Award for Best Art Direction — Set Decoration.

The film presents a biopunk vision of a society driven by liberal eugenics where expectant children are selected through preimplantation genetic diagnosis to ensure they possess the best hereditary traits of their parents. A genetic registry database uses biometrics to instantly identify and classify those so created as "valids" while those conceived by traditional means are derisively known as "in-valids". While genetic discrimination is forbidden by law, in practice it is easy to profile a person's genotype resulting in the Valids qualifying for professional employment while the In-Valids (who are considered to be more susceptible to physical and intellectual and psychological dysfunction and under-performance) are relegated to menial jobs. The movie draws on concerns over reproductive technologies which facilitate eugenics, and the possible consequences of such technological developments for society. It also explores the idea of human spirit and the ways in which it can and does govern lives. Characters in Gattaca continually battle both with the society and with themselves to find their place in the world and who they are destined to be according to their genes.

The title is based on the initial letters of the four DNA nitrogenous bases (adenine, cytosine, guanine, and thymine). During the credits the letters G, C, T, and A are all highlighted.

Plot

In “the not-so-distant future”, where liberal eugenics is common and DNA plays the primary role in determining social class, Vincent Freeman (Ethan Hawke) is conceived and born without the aid of this technology. As a result he is born with a high probability of heart disorder and a life expectancy of only 30.2 years. His parents regret this, and his younger brother, Anton, is conceived with the aid of genetic engineering. Vincent dreams of a career in space, but is constantly reminded of his imperfections that will preclude him from achieving this. Vincent and Anton enjoy playing a game that they called "chicken" — both would swim out into the sea, and the first one to give up and swim back to shore would be the loser. Anton always won due to his genetically-enhanced physical stamina. One day when they are older, however, Vincent, for reasons not entirely clear at the time, manages to swim farther out than his brother before turning around. Anton, in fact, runs into trouble and begins to drown. Vincent saves him by pulling him to shore. Vincent then leaves home shortly thereafter.

Suffering from the nearly eradicated physical dysfunction of myopia, as well as being given a heart disorder probability of 99%, Vincent faces extreme genetic discrimination and prejudice. The only way he can achieve his life-long dream of becoming an astronaut is to break the law and impersonate a "valid", a person with appropriate genetic advantage.[2]

He assumes the identity of Jerome Eugene Morrow (Jude Law), a former swimming star who, despite a genetic profile "second to none", won only a silver medal in a high-profile competition. He attempted to commit suicide by jumping in front of a car, but again fell short of his goal in that he only succeeded in paralyzing himself from the waist down. However, as the incident occurred outside the country, no one knows of his newly acquired disability. Thus, Vincent can "buy" his identity and use Jerome's "valid" DNA in blood, hair, tissue and urine samples to pass any genetic test — as long as he takes the meticulous precautions to leave no traces of his identity as an "in-valid". But, where he was once merely an object of pity, he is now a perpetrator of a socially detestable fraud and therefore a heretic against the new order of genetic determinism. Vincent is now a "borrowed ladder" (a play on words referring to both the structure of an un-coiled DNA strand and the idiom of altitude as social status) or in harsher language, a de-gen[e]-erate.

With Jerome's impressive genetic profile Vincent easily gains access to the Gattaca Aerospace Corporation (although he has spent many years studying, his interview consists entirely of a genetic analysis of a urine sample), the most prestigious space-flight conglomerate of the day. With his own equally impressive academic ability and professional determination, he quickly becomes Gattaca's top celestial navigator and is selected for a manned spaceflight to Saturn's moon Titan, his ultimate goal. But a week before Vincent is scheduled to leave on the one-year mission, one of Gattaca's managing directors is found bludgeoned to death in his office, and evidence of Vincent's own "in-valid" DNA is found in the building in the form of an eyelash. The presence of this unexpected DNA attracts the attention of the police, and Vincent must evade ever-increasing security as his mission launch date approaches. Simultaneously, he becomes close to one of his co-workers, Irene Cassini (Uma Thurman), and the two become romantically involved.

After numerous close calls, the investigation eventually comes to a close as Director Josef (Gore Vidal) is arrested for the murder by the detective covering the investigation (Alan Arkin). The Director reveals that he murdered the mission director in order to buy time for the mission to launch, because the window of opportunity for the launch is only open for seven days once every seventy years, and that it is now too late to stop the launch.

However, just as Vincent appears to be in the clear, he is confronted by the youthful chief detective who is revealed to be Vincent's estranged younger brother, Anton (Loren Dean). Anton accuses Vincent of perpetrating a fraud to illegally win a position for which he is not genetically worthy. It soon becomes apparent, however, that Anton is acting more out of personal insecurity than professional duty. Vincent offers to prove his worthiness by once again challenging Anton to a contest of endurance. As he did once before several years ago, Vincent manages to beat Anton who yet again must be rescued by his older brother. When Anton asks him how he did it Vincent reveals that he simply neglected to save any strength for the swim back — he was willing to risk everything to succeed. Conversely, Anton always exercised prudence in preserving enough strength to safely return.

As the day of the launch finally arrives, Jerome bids Vincent farewell and says that he intends to travel, too. He reveals that he has stored enough genetic samples to last Vincent two lifetimes. Overwhelmed and grateful, Vincent thanks Jerome for "lending" him the identity that has allowed his success at Gattaca, but Jerome replies that it is he who should be grateful, since Vincent lent Jerome his dreams. Jerome then gives Vincent a card but asks him not to open it until he reaches space.

As Vincent moves through the Gattaca complex to the launch site, he is stopped for an unexpected urine test. Vincent reluctantly agrees to take the test, even though he has not brought any of Jerome's urine to hide his identity. The test result uncovers Vincent's "in-valid" status, but it then becomes clear that Lamar, the doctor conducting the test who had also conducted Vincent's initial interview at Gattaca, had known Vincent's true identity all along. Lamar then alters the test result to allow Vincent to proceed. He mentions that his son admires Vincent and wants to be an astronaut just like him despite an unforeseen genetic defect that would automatically rule him out.

The shuttle lifts off with Vincent aboard, and he opens the card from Jerome to find a few last hair samples within. Back on Earth, Jerome climbs inside his home incinerator, puts on his silver medal and fires up the flames.

The film ends as Vincent's shuttle flight lifts off into the sky.

Cast

Production

Development

Filming

CLA Building complex
Marin County Civic Center

The exteriors (including the roof scene), and some of the interior shots, of the Gattaca complex were filmed at Frank Lloyd Wright's 1960 Marin County Civic Center in San Rafael, California.[3] The exterior of Vincent Freeman's house was shot at the CLA Building on the campus of California State Polytechnic University, Pomona (Cal Poly Pomona).

Design

The film borrows many design and thematic ideas from the film noir genre.[4] The movie uses a swimming treadmill by Endless Pools in the opening minutes to punctuate the swimming and futuristic themes.[5] The futuristic turbine cars are based on 1960s car models like Rover P6, Citroën DS19 and Studebaker Avanti,[6] and futuristic buildings represent modern architecture of 1950s.

Major themes

The film's themes include personal identity, discrimination, courage, friendship, love, hope, the burden of perfection, sacrifice, pursuit of happiness, sibling rivalry, society and control, fate, and whether human nature and the human spirit can be defined or limited by DNA.

Release

Theatrical

Gattaca was released in theaters on October 24, 1997, and opened at number 5 at the box office; trailing I Know What You Did Last Summer, The Devil's Advocate, Kiss the Girls, and Seven Years in Tibet.[7] Over the first weekend the film brought in $4.3 million. It ended its theatrical run with a domestic total of $12.5 million against a reported production budget of $36 million.[8]

Home media

Gattaca was released on DVD on July 1, 1998. Special Edition DVD and Blu-ray versions were released on March 11, 2008. Both editions contain the essential deleted scene - 'CODA' featuring historical figures like Einstein, Lincoln, etc., who are genetically deficient.[8]

Television series

On October 30, 2009, Variety reported that Sony Pictures was developing a television adaptation of the feature film as a one-hour police procedural set in the future. The show will be written by Gil Grant, who has written for 24 and NCIS.[9]

Critical reception

The film received a "fresh" rating from Rotten Tomatoes with 82% of the 55 critics cited giving the film a favorable review. The average rating for the film was 7.1/10.[10] On Metacritic the film received "generally favorable reviews" with a score of 67 out of a possible 100.[11] Roger Ebert stated, "This is one of the smartest and most provocative of science fiction films, a thriller with ideas."[12] James Berardinelli praised it for "energy and tautness" and its "thought-provoking script and thematic richness."[13]

Despite critical acclaim, Gattaca was not a box office success but it is said to have crystallized the debate over tampering with human genetics.[14][15][16] The film's dystopian depiction of "genoism" has been cited by many bioethicists and laymen in support of their hesitancy about, or opposition to, liberal eugenics and the societal acceptance of the genetic-determinist ideology that may frame it.[17] In a 1997 review of the film for the journal Nature Genetics, molecular biologist Lee M. Silver stated that "Gattaca is a film that all geneticists should see if for no other reason than to understand the perception of our trade held by so many of the public-at-large".[18]

In 2004, bioethicist James Hughes criticized the premise and influence of the film Gattaca, arguing that:[19]

  1. Astronaut-training programs are entirely justified in attempting to screen out people with heart problems for safety reasons;
  2. In the United States, people are already discriminated against by insurance companies on the basis of their propensities to disease despite the fact that genetic enhancement is not yet available;
  3. Rather than banning genetic testing or genetic enhancement, society needs genetic information privacy laws that allow justified forms of genetic testing and data aggregation, but forbid those that are judged to result in genetic discrimination (such as the U.S. Genetic Information Nondiscrimination Act signed into law on May 21, 2008.). Citizens should then be able to make a complaint to the appropriate authority if they believe they have been discriminated against because of their genotype.

Soundtrack

Untitled

The score for Gattaca was composed by Michael Nyman, and the original soundtrack was released on October 21, 1997.[20]

Track listing

[21]

  1. "The Morrow" – 3:13
  2. "God's Hands" – 1:42
  3. "The One Moment" – 1:40
  4. "Traces" – 1:00
  5. "The Arrival" – 3:53
  6. "Becoming Jerome" – 1:06
  7. "Call Me Eugene" – 1:24
  8. "A Borrowed Ladder" – 1:47
  9. "Further and Further" – 2:43
  10. "Not the Only One" – 2:14
  11. "Second Morrow" – 2:24
  12. "Impromptu for 12 Fingers" – 2:55 (from Franz Schubert's "Impromptu in G-flat Major, Op. 90, No. 3")
  13. "The Crossing" – 1:24
  14. "It Must Be the Light" – 1:23
  15. "Only a Matter of Time" – 1:07
  16. "I Thought You Wanted to Dance" – 1:13
  17. "Irene's Theme" – 1:09
  18. "Yourself for the Day" – 2:20
  19. "Up Stairs" – 2:02
  20. "Now That You're Here" – 2:44
  21. "The Truth" – 2:13
  22. "The Other Side" – 3:44
  23. "The Departure" – 3:51
  24. "Irene & the Morrow" – 5:44

References

  1. ^ "Gattaca - 1997 - Ethan Hawke, Andrew Niccol - Variety Profiles". Variety. Retrieved 2008-06-01.
  2. ^ "Gattaca — Movie Review". Metro times. Retrieved 2008-06-01.
  3. ^ "Gattaca a Not-So-Perfect Specimen", Mick LaSalle, San Francisco Chronicle, Friday, October 24, 1997, URL retrieved 19th February 2009
  4. ^ "Review of Gattaca". Challengingdestiny.com. 2004-02-25. Retrieved 2009-10-10.
  5. ^ "Gattaca:the Hollywood debut of the Endless Pool". Endlesspools.com. 2009-07-30. Retrieved 2009-10-10.
  6. ^ ""Gattaca, 1997": cars, bikes, trucks and other vehicles". IMCDb.org. Retrieved 2009-10-10.
  7. ^ "US Movie Box Office Chart Weekend of October 24, 1997". The Numbers. 1997-10-24. Retrieved 2009-10-10.
  8. ^ a b "Movie Gattaca - Box Office Data, News, Cast Information". The Numbers. Retrieved 2009-10-10.
  9. ^ "Apostle preps for post-'Rescue' life". www.variety.com. Retrieved 2009-10-31.
  10. ^ "Gattaca (1997)". Rotten Tomatoes. Retrieved 2009-08-01.
  11. ^ "Gattaca reviews at". Metacritic.com. Retrieved 2009-10-10.
  12. ^ "Gattaca :: rogerebert.com :: Reviews". Rogerebert.suntimes.com. 1997-10-24. Retrieved 2009-10-10.
  13. ^ "Review: Gattaca". Reelviews.net. Retrieved 2009-10-10.
  14. ^ Brown, Evan (2007). "Gattaca Now! The sequel to the 10-year-old classic science fiction film is in real-life science labs". Retrieved 2008-08-02. {{cite journal}}: Cite journal requires |journal= (help)
  15. ^ Darnovsky, Marcy (2008). "Are We Headed for a Sci-Fi Dystopia?". Retrieved 2008-03-23. {{cite journal}}: Cite journal requires |journal= (help)
  16. ^ Pope, Marcia; McRoberts, Richard (2003). Cambridge Wizard Student Guide Gattaca. Cambridge University press. ISBN 0-521-53615-4.{{cite book}}: CS1 maint: multiple names: authors list (link)
  17. ^ Kirby, D.A. (2000). "The New Eugenics in Cinema: Genetic Determinism and Gene Therapy in GATTACA. Science Fiction Studies, 27: 193-215". Retrieved 2008-01-08. {{cite journal}}: Cite journal requires |journal= (help)
  18. ^ Silver, Lee M. (1997). "Genetics Goes to Hollywood" (PDF). Retrieved 2008-01-08. {{cite journal}}: Cite journal requires |journal= (help)
  19. ^ Hughes, James (2004). Citizen Cyborg: Why Democratic Societies Must Respond to the Redesigned Human of the Future. Westview Press. ISBN 0-8133-4198-1.
  20. ^ "Gattaca soundtrack overview". Allmusic. Retrieved 2008-10-30.
  21. ^ "Gattaca soundtrack". SoundtrackNet, LLC. Retrieved 2008-09-06.

External links