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He is best known for his science fiction novels set in the [[Humanx Commonwealth]], an interstellar ethical/political union of species including humankind and the [[insect]]oid [[Thranx]]. Many of these novels feature [[Flinx|Philip Lynx ("Flinx")]], an empathic young man who has found himself involved in something which threatens the survival of the Galaxy. Flinx's constant companion since childhood is a [[minidrag]] named Pip, a flying, empathic snake capable of spitting a highly corrosive and violently [[neurotoxin|neurotoxic]] [[venom (poison)|venom]].
He is best known for his science fiction novels set in the [[Humanx Commonwealth]], an interstellar ethical/political union of species including humankind and the [[insect]]oid [[Thranx]]. Many of these novels feature [[Flinx|Philip Lynx ("Flinx")]], an empathic young man who has found himself involved in something which threatens the survival of the Galaxy. Flinx's constant companion since childhood is a [[minidrag]] named Pip, a flying, empathic snake capable of spitting a highly corrosive and violently [[neurotoxin|neurotoxic]] [[venom (poison)|venom]].


Foster's best-known fantasy work is the [[Spellsinger]] series, in which a young musician is summoned into a world populated by talking creatures where his music allows him to do real magic whose effects depends on the lyrics of the popular songs he sings (although with somewhat unpredictable results).
One of Foster's best-known fantasy work is the [[Spellsinger]] series, in which a young musician is summoned into a world populated by talking creatures where his music allows him to do real magic whose effects depends on the lyrics of the popular songs he sings (although with somewhat unpredictable results). But he is best remembered as the author of the original Star Wars novel, as well as the book that became The Empire Strikes Back.


Many of Foster's works have a strong [[Ecology|ecological]] element to them, often with an [[Environmentalism|environmental]] twist. Often the villains in his stories experience their downfall because of a lack of respect for other alien species or seemingly innocuous bits of their surroundings. This can be seen in such works as ''[[Midworld]]'', about a semi-[[Sentience|sentient]] planet that is essentially one large [[rainforest]], and ''[[Cachalot (novel)|Cachalot]]'', set on an ocean world populated by sentient [[cetacea]]ns. Foster usually devotes a large part of his novels to descriptions of the strange environments of alien worlds and the coexistence of their [[flora]] and [[fauna]]. Perhaps the most extreme example of this is ''[[Sentenced to Prism]]'', in which the protagonist finds himself trapped on a world where life is based on [[silicon]] rather than [[carbon]], as on Earth.
Many of Foster's works have a strong [[Ecology|ecological]] element to them, often with an [[Environmentalism|environmental]] twist. Often the villains in his stories experience their downfall because of a lack of respect for other alien species or seemingly innocuous bits of their surroundings. This can be seen in such works as ''[[Midworld]]'', about a semi-[[Sentience|sentient]] planet that is essentially one large [[rainforest]], which James Cameron took as his own idea to make the movie Avatar and ''[[Cachalot (novel)|Cachalot]]'', set on an ocean world populated by sentient [[cetacea]]ns. Foster usually devotes a large part of his novels to descriptions of the strange environments of alien worlds and the coexistence of their [[flora]] and [[fauna]]. Perhaps the most extreme example of this is ''[[Sentenced to Prism]]'', in which the protagonist finds himself trapped on a world where life is based on [[silicon]] rather than [[carbon]], as on Earth.


Foster has been so prolific that he is often rumored to have been the [[ghostwriter]] on novels with which he had little direct involvement, such as the novelization of ''[[Star Trek: The Motion Picture]]'', which was credited to (and actually written by) [[Gene Roddenberry]]. Foster wrote the treatment on which the film was based, perhaps accounting for the misattribution of the novel to him. He also authored 10 volumes of novelizations based upon ''[[Star Trek: The Animated Series]]'', several of which involving taking the script for a half-hour episode and expanding it into a full-length novel. He later wrote the novelization of the 2009 film ''[[Star Trek (film)|Star Trek]]'', his first ''Star Trek'' novel in over 30 years.<ref>{{cite web |url=http://trekmovie.com/2009/02/12/alan-dean-foster-writing-star-trek-movie-adaptation/ |title=Alan Dean Foster Writing Star Trek Movie Adaptation|accessdate=2009-02-12}}</ref>
Foster has been so prolific that he was the writer of ''[[Star Trek: The Motion Picture]]'', which was accredited to Gene Roddenberry alone. Foster wrote the plot and background on which the film was based. He also authored 10 episodes of ''[[Star Trek: The Animated Series]]'', several of which involved taking the script for a half-hour episode and expanding it into a full-length novels. He later co-wrote the screenplay and wrote the novelization of the 2009 film ''[[Star Trek (film)|Star Trek]]'', his first ''Star Trek'' novel in over 30 years.<ref>{{cite web |url=http://trekmovie.com/2009/02/12/alan-dean-foster-writing-star-trek-movie-adaptation/ |title=Alan Dean Foster Writing Star Trek Movie Adaptation|accessdate=2009-02-12}}</ref>


It has long been known that Foster co-wrote the original novelization of ''[[Star Wars Episode IV: A New Hope|Star Wars]]'' (later retitled ''Star Wars Episode IV: A New Hope'') which had been credited solely to [[George Lucas]]. When asked if it was difficult for him to see Lucas get all the credit for ''Star Wars'', Foster said "Not at all. It was George's story. I was merely expanding upon it. Not having my name on the cover didn't bother me in the least. It would be akin to a contractor demanding to have his name on a [[Frank Lloyd Wright]] house."<ref>{{cite web |url=http://www.scifi.com/sfw/issue251/interview.html |title=Alan Dean Foster invites SF readers to peer inside his Mind's Eye|accessdate=2008-09-04 |work=Science Fiction Weekly |archiveurl = http://web.archive.org/web/20080516075628/http://www.scifi.com/sfw/issue251/interview.html <!-- Bot retrieved archive --> |archivedate = 2008-05-16}}</ref>
It has long been known that Foster wrote the original novel of ''[[Star Wars Episode IV: A New Hope|Star Wars]]'' which had been credited solely to [[George Lucas]]. When asked if it was difficult for him to see Lucas get all the credit for ''Star Wars'', Foster said "Not at all. It was George's story idea. I was merely expanding upon it. Not having my name on the cover didn't bother me in the least. It would be akin to a contractor demanding to have his name on a [[Frank Lloyd Wright]] house. Lucas brought to Foster the skeleton screen play, and since they had known each other from UCLA, and Lucas was not a writer, Foster wrote the entire history of the time, place, planets, races, history and technology that exists in the entire Star Wars canon. Foster also wrote 'Splinter Of The Mind's Eye', which became Lucas' basis of The Empire Strikes Back."<ref>{{cite web |url=http://www.scifi.com/sfw/issue251/interview.html |title=Alan Dean Foster invites SF readers to peer inside his Mind's Eye|accessdate=2008-09-04 |work=Science Fiction Weekly |archiveurl = http://web.archive.org/web/20080516075628/http://www.scifi.com/sfw/issue251/interview.html <!-- Bot retrieved archive --> |archivedate = 2008-05-16}}</ref>


==Bibliography==
==Bibliography==

Revision as of 09:02, 4 January 2011

Alan Dean Foster
Alan Dean Foster, 2007
Alan Dean Foster, 2007
Occupationnovelist
Genrescience fiction, fantasy
Notable worksFor Love of Mother-Not
Website
http://www.alandeanfoster.com

Alan Dean Foster (born November 18, 1946) is an American author of fantasy and science fiction. He currently resides in Prescott, Arizona, with his wife, and is also known for his novelizations of film scripts. He holds a bachelor's degree in political science and a MFA from the University of California, Los Angeles.

History

He is best known for his science fiction novels set in the Humanx Commonwealth, an interstellar ethical/political union of species including humankind and the insectoid Thranx. Many of these novels feature Philip Lynx ("Flinx"), an empathic young man who has found himself involved in something which threatens the survival of the Galaxy. Flinx's constant companion since childhood is a minidrag named Pip, a flying, empathic snake capable of spitting a highly corrosive and violently neurotoxic venom.

One of Foster's best-known fantasy work is the Spellsinger series, in which a young musician is summoned into a world populated by talking creatures where his music allows him to do real magic whose effects depends on the lyrics of the popular songs he sings (although with somewhat unpredictable results). But he is best remembered as the author of the original Star Wars novel, as well as the book that became The Empire Strikes Back.

Many of Foster's works have a strong ecological element to them, often with an environmental twist. Often the villains in his stories experience their downfall because of a lack of respect for other alien species or seemingly innocuous bits of their surroundings. This can be seen in such works as Midworld, about a semi-sentient planet that is essentially one large rainforest, which James Cameron took as his own idea to make the movie Avatar and Cachalot, set on an ocean world populated by sentient cetaceans. Foster usually devotes a large part of his novels to descriptions of the strange environments of alien worlds and the coexistence of their flora and fauna. Perhaps the most extreme example of this is Sentenced to Prism, in which the protagonist finds himself trapped on a world where life is based on silicon rather than carbon, as on Earth.

Foster has been so prolific that he was the writer of Star Trek: The Motion Picture, which was accredited to Gene Roddenberry alone. Foster wrote the plot and background on which the film was based. He also authored 10 episodes of Star Trek: The Animated Series, several of which involved taking the script for a half-hour episode and expanding it into a full-length novels. He later co-wrote the screenplay and wrote the novelization of the 2009 film Star Trek, his first Star Trek novel in over 30 years.[1]

It has long been known that Foster wrote the original novel of Star Wars which had been credited solely to George Lucas. When asked if it was difficult for him to see Lucas get all the credit for Star Wars, Foster said "Not at all. It was George's story idea. I was merely expanding upon it. Not having my name on the cover didn't bother me in the least. It would be akin to a contractor demanding to have his name on a Frank Lloyd Wright house. Lucas brought to Foster the skeleton screen play, and since they had known each other from UCLA, and Lucas was not a writer, Foster wrote the entire history of the time, place, planets, races, history and technology that exists in the entire Star Wars canon. Foster also wrote 'Splinter Of The Mind's Eye', which became Lucas' basis of The Empire Strikes Back."[2]

Bibliography

Commonwealth novels

Novels featuring Pip and Flinx

Icerigger trilogy

Founding of the Commonwealth

Media novelizations

Transformers

Star Trek: The Animated Series

Star Wars stories

The Damned Trilogy

  • A Call to Arms (1991), ISBN 0-345-35855-4
  • The False Mirror (1992), ISBN 0-345-35856-2
  • The Spoils of War (1993), ISBN 0-345-35857-0

Spellsinger

Dinotopia

  • Dinotopia Lost (1996), ISBN 1-57036-279-3
  • The Hand of Dinotopia (1997), ISBN 1-57036-396-X

Journeys of the Catechist

The Taken trilogy

Story collections

Other books

  • The Man Who Used the Universe (1983), ISBN 0-446-90353-1
  • The I Inside (1984), ISBN 0-446-32027-7
  • Slipt (1984), ISBN 0-425-07006-9
  • Into the Out Of (1986), ISBN 0-446-51337-7
  • Glory Lane (1987), ISBN 0-441-51664-5
  • Maori (1988), ISBN 0-441-51925-3
  • Outer Heat (1988), ISBN 0-446-35265-9
  • To the Vanishing Point (1988), ISBN 0-446-51338-5
  • Quozl (1989), ISBN 0-441-69454-3
  • Cyber Way (1990), ISBN 0-441-13245-6
  • Cat-a-lyst (1991), ISBN 0-441-64661-1
  • Codgerspace (1992), ISBN 0-441-71851-5
  • Greenthieves (1994), ISBN 0-441-00104-1
  • Life Form (1995), ISBN 0-441-00218-8
  • Design for Great-Day (with Eric Frank Russell) (1995), ISBN 0-312-85501-X
  • Jed the Dead (1997), ISBN 0-441-00399-0
  • Parallelities (1998), ISBN 0-345-42461-1
  • Interlopers (2001), ISBN 0-441-00847-X
  • Kingdoms of Light (2001), ISBN 0-446-52667-3
  • Primal Shadows (2001), ISBN 0-312-87771-4
  • The Mocking Program (2002), ISBN 0-446-52774-2
  • Sagramanda (2006), ISBN 1-59102-488-9

Unpublished

  • Maude (1974)

Awards

Foster won the 2008 Grand Master award from the International Association of Media Tie-In Writers.[3]

References

  1. ^ "Alan Dean Foster Writing Star Trek Movie Adaptation". Retrieved 2009-02-12.
  2. ^ "Alan Dean Foster invites SF readers to peer inside his Mind's Eye". Science Fiction Weekly. Archived from the original on 2008-05-16. Retrieved 2008-09-04.
  3. ^ IAMTW 2008 awards

External links


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