Spectral flatness

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Maximum spectral flatness (approaching 1) is achieved by white noise.

Spectral flatness or tonality coefficient,[1][2] also known as Wiener entropy,[3][4] is a measure used in digital signal processing to characterize an audio spectrum. Spectral flatness is typically measured in decibels, and provides a way to quantify how much a sound resembles a pure tone, as opposed to being noise-like.[2]

Interpretation[edit]

The meaning of tonal in this context is in the sense of the amount of peaks or resonant structure in a power spectrum, as opposed to flat spectrum of a white noise. A high spectral flatness (approaching 1.0 for white noise) indicates that the spectrum has a similar amount of power in all spectral bands — this would sound similar to white noise, and the graph of the spectrum would appear relatively flat and smooth. A low spectral flatness (approaching 0.0 for a pure tone) indicates that the spectral power is concentrated in a relatively small number of bands — this would typically sound like a mixture of sine waves, and the spectrum would appear "spiky".[5]

Dubnov [2] has shown that spectral flatness is equivalent to information theoretic concept of mutual information that is known as dual total correlation.

Formulation[edit]

The spectral flatness is calculated by dividing the geometric mean of the power spectrum by the arithmetic mean of the power spectrum, i.e.:

where x(n) represents the magnitude of bin number n. Note that a single (or more) empty bin yields a flatness of 0, so this measure is most useful when bins are generally not empty.

The ratio produced by this calculation is often converted to a decibel scale for reporting, with a maximum of 0 dB and a minimum of −∞ dB.

The spectral flatness can also be measured within a specified sub-band, rather than across the whole band.

Applications[edit]

This measurement is one of the many audio descriptors used in the MPEG-7 standard, in which it is labelled "AudioSpectralFlatness".

In birdsong research, it has been used as one of the features measured on birdsong audio, when testing similarity between two excerpts.[6] Spectral flatness has also been used in the analysis of electroencephalography (EEG) diagnostics and research,[7] and psychoacoustics in humans.[8]

References[edit]

  1. ^ J. D. Johnston (1988). "Transform coding of audio signals using perceptual noise criteria". IEEE Journal on Selected Areas in Communications. 6 (2): 314–332. doi:10.1109/49.608. S2CID 5999699.
  2. ^ a b c Shlomo Dubnov (2004). "Generalization of Spectral Flatness Measure for Non-Gaussian Linear Processes". Signal Processing Letters. 11 (8): 698–701. Bibcode:2004ISPL...11..698D. doi:10.1109/LSP.2004.831663. ISSN 1070-9908. S2CID 14778866.
  3. ^ The Song Features › Wiener entropy "defined as the ratio of geometric mean to arithmetic mean of the spectrum"
  4. ^ Luscinia parameters "Wiener entropy is an alternative measure of the noisiness of a signal. It is defined as the ratio of the geometric mean to the arithmetic mean of the power spectrum."
  5. ^ A Large Set of Audio Features for Sound Description - technical report published by IRCAM in 2003. Section 9.1
  6. ^ Tchernichovski, O., Nottebohm, F., Ho, C. E., Pesaran, B., Mitra, P. P., 2000. A procedure for an automated measurement of song similarity. Animal Behaviour 59 (6), 1167–1176, doi:10.1006/anbe.1999.1416.
  7. ^ Burns, T.; Rajan, R. (2015). "Burns & Rajan (2015) Combining complexity measures of EEG data: multiplying measures reveal previously hidden information. F1000Research. 4:137". F1000Research. 4: 137. doi:10.12688/f1000research.6590.1. PMC 4648221. PMID 26594331.
  8. ^ Burns, T.; Rajan, R. (2019). "A Mathematical Approach to Correlating Objective Spectro-Temporal Features of Non-linguistic Sounds With Their Subjective Perceptions in Humans". Frontiers in Neuroscience. 13: 794. doi:10.3389/fnins.2019.00794. PMC 6685481. PMID 31417350.